You know that photography is the most popular hobby in the world, and photo-gear collecting is linked very close with taking photos – I think that collecting has a chance to take the one of top places by number of involved contributors among all other collectors directions. Anyone can be a cameras or lens collector, independently of income, lifestyle and place of living. There was a lot of photo gear has been produced and every collector can choose the object in huge variety of prices, rareness and availability. Usually just what are needed – a few bucks, flea-market or postal office and a little empty space on a bookshelf.

The idea of this hobby is more important than it seems at first glance – this is the natural  registration of our history – collectors work like private museums. Especially if to keep in mind that they tend to collect things which are in good condition and aren’t going to use gear in the future, just keeping… In most of cases, but not always – some dinosaurs and a few rebels still use the film photography today. Even more – many of collectors got a right tuned hands and can restore a damaged gear. Of course this hobby is linked not only with things which can be touched, all the same can be said about documentation, data, serial numbers, blueprints, schemes of design etc.

I’m not a true collector, but absolutely agree that I got infected too, and now have an idea to keep a few lenses for the future. Additionally, I’ve found the nice place where serious collectors with clear target can be spotted and my knowledge about this side of life mostly has been got from there.


Suddenly I’ve made unusual purchase – was looking for the lens, but found a set with a few lenses and camera in one bundle. I saw that this bundle is an idea for the article, and bought it just to make a simple story about well known items from the past.

BOXES_SRT101_MC2835_MC30045_017_exterior_logo.jpg

To be honestly, this purchase can’t be named as ‘amazing catch’, because camera has a signs of use, some elements of pack is absent, and price wasn’t about two bucks, but at all it’s very close to the things which are loved by collectors, I think it can be called as ‘good catch’.

Meet the hero:

Minolta SR-T101 film camera.

Minolta_SRT101_body_000_exterior_logo.jpg

Most of the information about this item can be found on camerapedia – all necessary data is presented, so here is just a little description of feelings about the current box-set. All must known parameters can be listed in one sentence:

 – This is a 35mm film, non-autofocused SLR-camera, with the build-in light-meter, A-mode support and SR-mount. Actually, ‘A-mode support’ is a key feature for me, it means that  anyone can use this camera with convenience and without mass of specific knowledge about photography.

One point in plus to symbolism: this is the first article with mention of the camera on the lensqaworks.com. Independently of the fact that it isn’t a formal review, this camera is in the collective now and gets personal avatar. Sounds like a promise for the full review in the future, actually – not soon, because real film photography is required for this, and I still don’t feel that I’m ready for such experiments.


Minolta SR-T101 camera code name – Victorique de Blois  ヴィクトリカ•ド•ブロワ

Victorique de Blois (ヴィクトリカ・ド・ブロワ Vikutorika do Burowa) is a 15 year-old girl who studies at Saint Marguerite Academy, although she usually stays in the library of the school. She is portrayed as a girl who lives her entire life as an enigma, which Kazuya Kujo began to uncover and solve as he develops his feelings for her.


Actual box set:

Minolta_SRT101_boxset_990_exterior_logo.jpg

List of items:

  • Box
  • Bottom styrofoam part with a sticker with serial numbers of camera and lens
  • User Manual
  • ‘How to use interchangeable lenses’ booklet
  • Camera case (2 parts)
  • Camera strap
  • Lens cap (front)
  • Lens Minolta MC Rokkor PF 58mm 1:1.4
  • Camera Minolta SRT101
  • Battery cell AG13

So, as we can see, at least are absent: polyethylene packets, guarantee list, top part of foam, and may be something another too (I don’t know – papers, back lens cap, body cap, silica-gel little bag, etc.), on the other hand – this set is full enough. Especially I’m glad to see that serial numbers on the the foam/box match with body and lens.

Minolta_SRT101_boxset_991_exterior_logo.jpg

All elements are in used condition, even the box. It seems that camera and lens have worked many in previous life, but exterior is very good, it may be because owner courted for the kit and used leather case. Just one dent on the top panel on front right corner (if top view) looks not good, but nothing serious – durability of this model is legendary, and I confirm – everything works great, at least during checking with illuminated film (I’m not going to take photos with real film at the nearest future). Light-meter works fine too, and displays the same measurements as the modern digital camera.

I’m not sure, but it looks like that Minolta SRT line are the most presented cameras on modern auctions among any other Minolta brands. May possible, that ‘X’-line (X-700, X-300 etc.) is available in the huge amount too, but I haven’t statistic from second-hand markets, so don’t know what is on the first place.

As you already know via Camerapedia, SRT101 sales started from April 1966 up to 1976. Judging by some features of the body and in accordance with the records of collectors (signed by Andrea Arpa), this particular camera was released ‘around or after 1969’, possible July 1969 – March 1970. On collectors slang it has ‘B0 top cover model’.

I can describe this camera as a quite big and definitely heavy steel brick. It is easy to understand fans of the SRT line – brutal design which helps owner to feel the energy of planet gravitation in the hands. Even for my neutral opinion this look is attractive, and owner will get a pleasure when operating the camera.

SRT101_body_scale_121.jpg

Some additional photos of SRT-101 with mounted Minolta MC Rokkor-PF 1:1.4 f=58mm:

Very sexy with half-case:

Minolta_SRT101_case_002_exterior_logo.jpg

minolta_srt101_case_003_exterior_logo

Other stuff from the box:

And “ready for battle” kit on the scale:

SRT101_MCC5814_scale_120.jpg


Here I have a good point to tell a little about the lens. As you can predict, this lens will be fully reviewed in dedicated article with tests as it usual happens with classic lenses on this site – with linked anime-avatar of course, so here just a technical data via minolta.eazypix.de:

# 135
Name engraved on lens MC ROKKOR-PF
f 58
A max 1.4
A min 16
Elements 6
Groups 5
Filter thread 55
Lens Shade D55NA
close 0.6/2
Dimension 65×41
Weight 275
Year 1969
Style MC II
Code No. 639

This is ‘Steel and Glass’ lens from the second generation of Minolta MC lens line with ‘hills and valleys’ focusing ring. It was the final generation of Minolta lenses without any rubber or plastic elements in construction. Technically, the difference with first MC generation is only in the form of focusing ring – quite deep ‘hills and valleys’ instead of previous ‘flat grip’.

Collectors use a more detailed selection, based not only exterior but labeling too, and in collectors classification this lens is from MCII group. It doesn’t matter for other people, even for photographers, but for us it means the exclusion: one lens with rubberized focusing ring is in this selection – quire rare but not popular Minolta MC Rokkor-PF 1:1.9 f=55mm – don’t forget about it if you are going to collect all MCII lenses,.. or all 55mm lenses, or F1.9 lenses, or rubberized lenses, or… you got it. Sometimes it is not easy to be collector – some things are hidden from the first view.

I believe that photographers have no need to choose between MCI and MCII generations, because optically both are the same, and small difference only in shape of focusing ring isn’t a point to care. Actually, other two lens of the bunch are from MCI generation.


The next one is Minolta MC W. Rokkor-SG 1:3.5 f=28mm:

MC2835_boxset_012_exterior.jpg

As you can see this set definitely isn’t full, it contains only:

  • Outer box
  • Case
  • Strap
  • Lens
  • Back cap

The yellow filter HOYA can be the collectors dream too, especially if collectors of HOYA, or it may be junk, .. don’t know, but it is from another story I’m sure.

At least absent: second inside brown carton box, front cap, polyethylene bags, papers, silica-gel bag.

But again – it is good to see that serial number on the lens matches with serial on the box – 1514982. Another good news – the lens is in great condition. Not ‘mint’, but it has a much less signs of use than camera and MC 58mm F1.4.

If I were a better collector, then I would have to continue digging on flea-markets and  turn this kit into something like this:

Minolta_Rokkor_MC2835_boxset_010_exterior_logo.jpg

Lens shade and cap are added. Papers, brown box, polyethylene and original silica-gel bag are in the queue.

To be honestly, the hood and cap were taken by me from another lens for photo-session only. I didn’t spent time to finding the missing elements of set, as it requires by collectors honor.

By the way, how it is correct to call – ‘lens hood’ or ‘lens shade’? After short research I believe that ‘hood’ is much more common. Even if you type in Wikipedia search string ‘Lens Shade’ – you will be redirected to article ‘Lens Hood’. On the other hand, Minolta marked boxes as ‘Lens Shade’ and it looks like that true Minolta collectors must call it as ‘Shade’.

The technical data via minolta.eazypix.de:

# 55
Name engraved on lens MC W.ROKKOR-SG
f 28
A max 3.5
A min 16
Lens 7
Groups 7
Filter thread 55
Lens Shade D55ND
close 0.6/2
Dimension 63×45
Weight 245
Year 1968
Style MC I
Code No. 604

So we can see MC lens with ‘flat grip’ focusing ring. MCI group by collectors classification. But such information isn’t enough – even inside one line ‘MCI’ this lens has two incarnations: with filter diameters 67mm and 55mm. And slightly different body size. And with 100 gr (!) difference in weight. This particular lens is the second version with 55mm filter thread.

Of course it is ‘Steel and Glass’ lens too, and will be reviewed in the nearest future.

One note: minolta.eazypix.de displays the shade for this lens as D55ND, but it looks like  that non-coded shade with text ‘MINOLTA MC28mm F3.5’ was shipped with this lens too.


Finally, the longest among whole MC series – Minolta MC Tele Rokkor-HF 1:4.5 f=300mm:

Minolta_Rokkor_MC30045_boxset_015_exterior_logo.jpg

This set is better than previous one at least because one element more. I’ve got:

  • Outer box
  • Case
  • Strap
  • Lens
  • Back cap
  • Front cap

And again I had no luck with brown carton inside box, papers, gel etc. But who cares about it if lens looks like new? OK, OK, collectors should care… Anyway, this is what I can describe as ‘mint condition’. I’m sure that owner just try it on the camera a couple of times and forgot about for a long years.

Minolta_Rokkor_MC30045_020_exterior_logo.jpg

In fact, this article was born because of this lens – I was looking for Minolta MC Rokkor 300mm F4.5 for one of the next lens-reviews in ‘hills and valley’ exterior, due for that all reviewed lenses would be from one series, and suddenly found this bunch with SRT-101 announcement of sale… from Moscow – Russia. I would not be surprised if it was a camera FED in a box with Jupiter lens. But Minolta did not supply the gear in the ex-USSR countries until the 1990s. So it’s normal to find Dynax-5 even in Siberia, but old stuff in such sets is extremely rare there. Relatives sold this SRT-101 kit after the death of the owner and the only thing I know so far is that he was an officer in the Soviet army (or KGB ?!). They don’t know anything about how to check lenses and cameras so I bought ‘a pig in a poke’ but everything turned out quite well after I opened package.

Problem is another: I was looking for ‘hills and valleys’ design but this particular lens is ‘flat grip’… hope it enough for first time, may be later will found another one.

The technical data via minolta.eazypix.de:

# 225
Name engraved on lens MC TELE ROKKOR-HF
f 300
A max 4.5
A min 22
Elements 6
Groups 6
Filter thread 72
Lens Shade built-in
close 4.5/15
Dimension 80×200
Weight 1150
Year 1969
Style MC I
Code No. 581

This is not a just ‘Steel and glass’ construction, it is better to call as ‘A tons of steel and huge glass amount’.

Historically, this MCI version of the lens was in production about one year before it was redesigned with ‘hills and valleys’ ring, but for today it can be easy found on auctions in both versions. Collectors know that both designs – MCI and MCII were in production at the same time, it is regarding another lenses too, not 300mm only, so total amount of this MC 300/4.5 is enough on markets even for today. Lens is cheap as it can be. The metal of the body can be sold for bigger money than average price for lens /joke/.

Serial number on the lens is the same as on the box: 3502401

Looks serious:

Minolta_Rokkor_MC30045_030_exterior_logo.jpg

Build-In hood… That’s what I really think the one of the main important skills which was lost by lens producers. Just think about it – anyone like Sony or Canon can make precision lens with 30+ elements in 50+ groups, but so simple thing like a build-in lens hood is too  complicated for them. /sarcasm/

That’s all, actually. For today I can’t add anything new about all mentioned items – all are well known and have been described in a lot of resources, it is better to assumed  that this material – is like a small introduction into the next test-reviews pack – about MCII and sometimes – MCI Minolta lenses, but before I need to take a lot of test-shootouts. Will see results this season.

Let’s become a Minolta collectors )))

Minolta SRT101 __Avatar.png

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