Minolta Rokkor MC PF 85mm F1.7 lens review (MCII).
This is another one legend by Minolta. A lot of photographers consider that it is the best portrait lens ever. And in overall unformal rating, it may stay on the second place by popularity, right after the bokeh-monster Rokkor 58mm F1.2 which I consider as mostly known Minolta lens.
One time I was lucky to get the copy in ‘like new’ condition with original lens-shade, caps and case and that occasion has driven me to find and review the full set of MC-II Minolta Rokkor lenses. Some of the articles have been published earlier but this lens was a driver to the whole idea. Continue reading Review: Minolta MC Rokkor PF 85mm 1:1.7
This is the lens from first years after WWII and it’s a part of history of Japans photo-industry, from the times when the poor and ruined country started the race against the worlds most famous corporations producing photo equipment and finally have won. The reason is clear – one glance at Super Rokkor 85mm is enough to see that it was created and built with incredible quality.
Some of amateur photographers says that they love real ‘glass and metal’ lenses, and this feeling drives them to create better photos than with lenses are built using plastic and rubber elements in construction. Quite often when saying these words they are holding in their hands something like Minolta MC or Canon FL or Nikon pre-AI, etc. I believe that these MC and FLs against this Chiyoko are looking like aluminum trinkets.
Lens review: Chiyoda Kogaku Chiyoko Super Rokkor 1:2.8 f=8.5cm C (Minolta – Japan) LTM/LSM/m39
Continue reading Review: Chiyoko Super Rokkor 85mm f:2.8 Minolta