Minolta MC Tele Rokkor-PF 100mm 1:2.5 lens review. (‘MC II’ style by collectors classification)
Here is another one tele-lens by Minolta. Very suitable for portraits because it is ‘100mm fast’ – the focal distance is not too short, but the lens still convenient in operation. Also, it is ready for landscapes from F5.6 and totally sharp over the frame if closed to 8 – it makes this lens enough universal. Can be interesting for photographers who are looking for a mix of good IQ and classic rendering.
Continue reading Review: Minolta MC Tele Rokkor PF 100mm 1:2.5
Minolta MC Tele Rokkor QD 135mm 1:3.5 lens review (Minolta MC-II type by collectors classification).
Small but very proud lens. Like many other lenses of that era, it is already very good in terms of performance, but in the next versions, it has been improved even more. The usual representative of ‘Hills&Valleys’ hull design.
Continue reading Review: Minolta MC Tele Rokkor QD 135mm 1:3.5
Minolta MC Tele Rokkor-PF 135mm 1:2.8 lens review.
This is the fast lens with classic focal distance – very suitable for portraits and landscapes. Tons of such lenses have been produced by a lot of competitors, many of them are beautiful, and it’s very hard for any lens to get a ‘recommended’ status in so huge and cool collective.
Continue reading Review: Minolta MC Tele Rokkor PF 135mm 1:2.8
Minolta MC Tele Rokkor QF 200mm F3.5 lens review (‘Hills & Valleys’ or ‘MC II’ style by collectors classification)
The first impression – it’s solid and heavy. It would be strange to recommend this lens today for photographers because many other much lighter options on 200mm focal distance are available, but for guys who like to take portraits with the feeling of a big piece of steel and glass in the hand – that’s the paradise. And it has a good IQ by the way.
Continue reading Review: Minolta MC Tele Rokkor QF 200mm 1:3.5
Minolta MC Tele Rokkor HF 300mm 1:4.5 (MC I) lens review
It’s difficult for me to make an objective conclusion about this lens – I don’t use such focal distances in real photo-sessions. This is for something like birds or foxes or maybe for Moon. Anyway – I can test it over the standard way.
Continue reading Review: Minolta MC Tele Rokkor HF 300mm 1:4.5 (MC I)
Minolta MC Tele Rokkor PE 200mm f/4.5 lens review (Hills and Valleys, MC-II)
Classic or ‘vintage’ long lens with elegant shape and with the good enough IQ for any photographer task. Of course it has “steel and glass” construction as any lens from this line.
(Note: this is the starting article of the reviews cycle about Minolta MC Rokkor lenses in “Hills and Valleys” body design. Author hopes that every lens from this line will be tested on the site. Stay tuned, if you are interested.)
Continue reading Review: Minolta MC Tele Rokkor PE 200mm 1:4.5
Comparison of lenses Minolta MD Zoom 75-150mm 1:4.0, Minolta MD 85mm 1:2.0 and Minolta MD 135mm 1:2.8. All lenses are New-MD generation (MDIII by collectors classification)
Continue reading LensWars: Minolta MD Zoom 75-150mm f/4.0 vs. MD 85mm f/2.0 vs. MD 135mm f/2.8
Minolta New-MD Zoom 150mm F/4 (MDIII) lens review.
There are a few popular 2x-zooms produced by genius of Minolta’s engineers. Everyone knows at least ‘Leica’ MD 35-70/3.5 /sarcasm/ and I can add into that list Minolta MD 24-50/4 and may be 1.5x MD 24-35/3.5. This MD 75-150/4 is the further level. See the test results please.
Tested copy is in beautiful condition in all aspects, something like ‘Near Mint’ in Japanese sellers terminology. No any traces of disassembling and damages.
Continue reading Review: Minolta MD Zoom 75-150mm 1:4.0
Lens review: Minolta New MD (MDIII) Zoom 28-85mm F3.5-4.5 Macro.
Everyone knows the famous Minolta MD 35-70/3.5, which is appears wherever possible, but this MD 35-70/3.5-4.5 is much more hidden behind the scenes, and looks like a secret weapon for ‘those who knows’ – pathos words, but describe the idea. It has been tested by Great and Powerful Antony Hands in his The 35mm Shoot-out – as zoom which can compete with wide angle primes.
Continue reading Review: Minolta MD Zoom 28-85mm 1:3.5-4.5 Macro
Here you can see the comparison of Minolta-SR 50mm lenses – from Rokkor PG up to New MD – all are the best classic 50mm lenses ever, and this selection of winner is just an option – photographers can use any of these lenses without any doubts and without reading of this article, but it was curious to find out how the Minolta’s optics changes from generation to generation.
The comparison is big enough and may be boring, so, if you prefer to realize details – you need a patience to look over all diagrams with samples, if you just interested who are winner – go to the end of article, but such way is not recommend, because it would be better if someone control the authors conclusion.
Note for collectors or those who know many about Minolta: ‘MDIII’ term is not using to don’t confuse the other readers, so plain ‘MD’ means ‘MDIII/New MD’ Continue reading LensWars: Minolta MC Rokkor PG 50mm f/1.4 vs. MD I Rokkor 50mm f/1.4 vs. MD II Rokkor 50mm f/1.4 vs. New MD 50mm f/1.4