Minolta MC Macro Rokkor QE 100mm 1:3.5 (Hills&Valleys/Knurled design, or MCII by collector’s classification)
The first feeling: it’s not a lens – it’s a howitzer. Every Rokkor from pre-rubberized generations looks like a rock, but this macro-hundred is the champion among others. Even huge and twice heavier Rokkor MC 300mm 1:5.6 looks more elegant than this hunk of metal with a few pieces of glass.
Continue reading Review: Minolta MC Macro Rokkor QE 100mm 1:3.5
Comparison of lenses Minolta MD 85mm 1:2.0, Minolta MC Rokkor PF 85mm 1:1.7
Continue reading LensWars: Minolta MC Rokkor PF 85mm f/1.7 vs. MD 85mm f/2.0
Minolta MC Tele Rokkor QD 135mm 1:3.5 lens review (Minolta MC-II type by collectors classification).
Small but very proud lens. Like many other lenses of that era, it is already very good in terms of performance, but in the next versions, it has been improved even more. The usual representative of ‘Hills&Valleys’ hull design.
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Minolta MC Tele Rokkor-PF 135mm 1:2.8 lens review.
This is the fast lens with classic focal distance – very suitable for portraits and landscapes. Tons of such lenses have been produced by a lot of competitors, many of them are beautiful, and it’s very hard for any lens to get a ‘recommended’ status in so huge and cool collective.
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Another Minolta MC Rokkor PG 50mm F/1.4 lens review
This is was the first 50mm F1.4 lens by Minolta, only 58mm with F1.4 were in production earlier. It has so great reputation that even younger and modern fifties sometimes hide in shadow of this MC. You can find a lot of opinions about this lens, sometimes very objective, sometimes too personal, and my target is to understand the real abilities of this piece of ‘glass and metal’ (and a few rubber).
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