Minolta MC Tele Rokkor-PF 100mm 1:2.5 lens review. (‘MC II’ style by collectors classification)
Here is another one tele-lens by Minolta. Very suitable for portraits because it is ‘100mm fast’ – the focal distance is not too short, but the lens still convenient in operation. Also, it is ready for landscapes from F5.6 and totally sharp over the frame if closed to 8 – it makes this lens enough universal. Can be interesting for photographers who are looking for a mix of good IQ and classic rendering.
Continue reading Review: Minolta MC Tele Rokkor PF 100mm 1:2.5
Comparison of lenses Minolta MC Rokkor PF 135mm f/2.8, MC Rokkor QD 135mm f/3.5, and MD 135mm f/2.8.
135mm is the very popular focal distance for many styles of photography: portraiture, landscapes, street-photo, etc. – it’s great for scenes which are required compressed perspective for a more tight feeling of the picture. This comparison should show the difference between very budget manual 135mm lenses. Actually, Minolta produced the only one expensive 135mm – the famous MD 135mm 1:2.0, and all another 15 models for SR-mount looks cheap enough, so, three are here.
Continue reading LensWars: Minolta MC Rokkor PF 135mm f/2.8 vs. MC Rokkor QD 135mm f/3.5 vs MD 135mm f/2.8
Minolta MC Tele Rokkor QD 135mm 1:3.5 lens review (Minolta MC-II type by collectors classification).
Small but very proud lens. Like many other lenses of that era, it is already very good in terms of performance, but in the next versions, it has been improved even more. The usual representative of ‘Hills&Valleys’ hull design.
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Comparison of lenses Minolta MC Tele Rokkor HF 300mm f/4.5 (MC I), Minolta New-MD 300mm 1:4.5
Continue reading LensWars: Minolta MC Tele Rokkor HF 300mm f/4.5 vs. MD 300mm f/4.5
Minolta MC Tele Rokkor HF 300mm 1:4.5 (MC I) lens review
It’s difficult for me to make an objective conclusion about this lens – I don’t use such focal distances in real photo-sessions. This is for something like birds or foxes or maybe for Moon. Anyway – I can test it over the standard way.
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Comparison of lenses Minolta MD 50mm 1:1.2, Canon New FD 50mm 1:1.2
This comparison is very important for the honor of both manufacturing companies. Especially for Canon, because this company exists until now. Minolta has nothing to lose, you know. That’s why additionally to the test on infinity distance I’ve made the comparison on close distance with field curvature compensation. Two different tests with different approach will help to better understanding the behavior of these lenses.
Continue reading LensWars: Canon FDn 50mm f/1.2 vs. Minolta MD 50mm f/1.2