Minolta MC Tele Rokkor-PF 100mm 1:2.5 lens review. (‘MC II’ style by collectors classification)
Here is another one tele-lens by Minolta. Very suitable for portraits because it is ‘100mm fast’ – the focal distance is not too short, but the lens still convenient in operation. Also, it is ready for landscapes from F5.6 and totally sharp over the frame if closed to 8 – it makes this lens enough universal. Can be interesting for photographers who are looking for a mix of good IQ and classic rendering.
Continue reading Review: Minolta MC Tele Rokkor PF 100mm 1:2.5
Comparison of lenses Minolta MC Rokkor PF 135mm f/2.8, MC Rokkor QD 135mm f/3.5, and MD 135mm f/2.8.
135mm is the very popular focal distance for many styles of photography: portraiture, landscapes, street-photo, etc. – it’s great for scenes which are required compressed perspective for a more tight feeling of the picture. This comparison should show the difference between very budget manual 135mm lenses. Actually, Minolta produced the only one expensive 135mm – the famous MD 135mm 1:2.0, and all another 15 models for SR-mount looks cheap enough, so, three are here.
Continue reading LensWars: Minolta MC Rokkor PF 135mm f/2.8 vs. MC Rokkor QD 135mm f/3.5 vs MD 135mm f/2.8
Minolta MC Tele Rokkor-PF 135mm 1:2.8 lens review.
This is the fast lens with classic focal distance – very suitable for portraits and landscapes. Tons of such lenses have been produced by a lot of competitors, many of them are beautiful, and it’s very hard for any lens to get a ‘recommended’ status in so huge and cool collective.
Continue reading Review: Minolta MC Tele Rokkor PF 135mm 1:2.8
Comparison of lenses Minolta MC Tele Rokkor HF 300mm f/4.5 (MC I), Minolta New-MD 300mm 1:4.5
Continue reading LensWars: Minolta MC Tele Rokkor HF 300mm f/4.5 vs. MD 300mm f/4.5
Minolta MC Tele Rokkor HF 300mm 1:4.5 (MC I) lens review
It’s difficult for me to make an objective conclusion about this lens – I don’t use such focal distances in real photo-sessions. This is for something like birds or foxes or maybe for Moon. Anyway – I can test it over the standard way.
Continue reading Review: Minolta MC Tele Rokkor HF 300mm 1:4.5 (MC I)
Here you can see the comparison of Minolta-SR 50mm lenses – from Rokkor PG up to New MD – all are the best classic 50mm lenses ever, and this selection of winner is just an option – photographers can use any of these lenses without any doubts and without reading of this article, but it was curious to find out how the Minolta’s optics changes from generation to generation.
The comparison is big enough and maybe boring, so, if you prefer to realize details – you need the patience to look over all diagrams with samples, if you just interested who is winner – go to the end of article, but such way is not to recommend, because it would be better if someone controls the authors conclusion.
Note for collectors or those who know many about Minolta: ‘MDIII’ term is not using to don’t confuse the other readers, so plain ‘MD’ means ‘MDIII/New MD’ Continue reading LensWars: Minolta MC Rokkor PG 50mm f/1.4 vs. MD I Rokkor 50mm f/1.4 vs. MD II Rokkor 50mm f/1.4 vs. New MD 50mm f/1.4
It’s the demonstration of possibilities of one of the reviewed lens. Not a pro-photography.
Continue reading Demo Photos: Minolta MD II Rokkor 50mm 1:1.4
Another Minolta MD Rokkor (MD II) 50mm F1.4 lens review. 49mm filter thread
This is the one of five 50/1.4 lenses made by Minolta. All are the best actually.
(Those who love anime, probably spotted Yoko on the avatar. Yes – this lens is really so cool.)
Continue reading Review: Minolta MD Rokkor 50mm 1:1.4 (MDII)